Tag Archive for: accessibility

Circular Software Launches New Accessibility Tools

UK company, Circular Software, has announced the launch of new tools as part of their range of software to help with the creation of accessible InDesign files. Use of this software is free of charge and offers a “no code” approach for users.

Read the recently published article by Ken Jones, Director of Circular Software

Ask The Accessibility Experts: Send Us Your Questions!

The DAISY webinar series has been a huge success and our final webinar of 2021 on December 15 will be a special “Ask The Accessibility Experts” session to give you the opportunity to ask our assembled team of experts any outstanding questions you may have.

You are welcome to bring your questions to the webinar itself but to help us organize questions into themes, and to ensure we have the appropriate experts on hand, we encourage you to send them in advance to: webinars@daisy.org. Questions on all aspects of accessible reading and publishing are welcome. You can expect this session to cover a broad range of topics and we look forward to hearing from you.

To register for this event:
https://us02web.zoom.us/webinar/register/WN_Lvcn7hLtTd6674d9LQlw8w

Validating and Conformance of EPUB (W)

Title slide: Validating and Conformance Checking EPUB
In our series of free weekly webinars November 3rd saw a session focused on the validation and conformance of EPUB content. When using the EPUB format a few simple steps can help highlight any issues and guide you on the path to creating more usable and accessible content.

This page contains:

Full Video of the Webinar

Speakers

  • Richard Orme, DAISY Consortium—host and chair
  • George Kerscher, DAISY Consortium
  • James Yanchak, Taylor and Francis
  • Charles La Pierre, Benetech

Session Overview

Richard Orme introduced this session explaining that it’s not enough to create content in any format and simply hope it works on reading systems and that it can deliver accessibility. The three experts presenting this webinar looked at validating EPUB from their perspective angles.

What Is An Accessible EPUB?

Many publishers have switched to EPUB as their format of choice for their digital content workflow but, despite it being the format which offers the greatest opportunity for accessibility, some have missed the mark. By failing to include a table of contents, for example, or by not having a clear reading order, EPUB content was often disappointingly lacking in accessibility support. For an EPUB file to be accessible, the publisher must make the most of the features that the format offers.

An understanding of this together with knowledge of the legal requirements in your market are a good place to start an accessibility journey. Add to this an alignment with publishing and web standards and some technical research to provide a base of knowledge and publishers should be in a position to make the most of their EPUB workflow.

3rd Party Certification

Having a 3rd party certify your accessible content helps the publisher to navigate the standards and specifications and Charles La Pierre talked us through the Benetech Scheme, Global Certified Accessible (GCA), outlining the process required for a publisher to be certified. A score is attached and for content to be certified as Born Accessible, 80% is needed.

Developing Internal Standards

Internal standards help the publisher to narrow the technical landscape and make it relevant to their specific workflow. James Yanchak described how this is achieved at Taylor and Francis and explained how this has helped them to reach their accessibility goals. Any internal standard must adhere to the industry standard and it’s vital that training is offered to both in-house colleagues and external vendors.

Validating the EPUB

There are a number of tools which our panel recommended:

  • EPUBCheck – should be one of the first checks and if this is integrated into the workflow using the command line version then it becomes very straightforward.
  • Ace by DAISY – checks conformance of the EPUB to WCAG and offers a command-line version and a desktop version for one-off title checks
  • Ace SMART – to be used in conjunction with Ace and helps the user perform the manual checks that Ace identifies.
  • The DAISY Knowledge Base has been developed to help resolve accessibility issues and is constantly maintained.

All of these stages and checks are important to establish accessibility and “trust” in the end product. A reader needs to be able to trust the accessibility summary and metadata so that they can make the correct purchasing decisions.

Related Resources

Standards

Accessibility Criteria

Tools and Resources

Discover the other webinars we’re running!

Delivering a Beneficial and Accessible User Experience

Image of man using an ereader to access content.Consideration of the User Experience (UX) should be a crucial part of any design team’s road to launch, especially if the goal is to deliver a reading experience that is beneficial to all users. Digital accessibility and usability are vital factors in ensuring that a user can interact with content, delivering the same level of experience to everyone, regardless of their ability.

Being able to deliver a complete, satisfying and inclusive user experience should be integral to your organization’s content strategy where a focus on planning, creation, delivery, and governance of that content is paramount. The overarching benefits of an accessible user experience have significant advantages both for the reader and for your business and you should take action now to ensure that you are doing the right thing for your organization and your customers.

Banks, education institutions, and many other organizations are increasingly prioritizing accessibility initiatives in response to the growing demand for them in the digital space (in addition to legal requirements in many markets). Providing an accessible UX for customers and satisfying all of their access requirements is of the utmost importance.

For many this includes being able to access content with assistive technology (such as a screen reader). Having an understanding of how these technologies affect the UX is a great way to start the transformation of your content into something meaningful, useful for all and accessible.

Business Benefits

There are many business benefits to providing an accessible user experience, not least that it’s the right thing to do. These include:

  • Connecting with a larger audience. Approximately one billion people in the world, or 15% of the world’s population, experience some form of disability. Organizations are able to expand their audience by making sure that their content is accessible to all markets – a sure way for companies to increase profitability, and be able to grow their share of the market too.
  • Minimizing legal risks and ensuring compliance with accessibility standards. There are quite a few laws and regulations in place to address accessibility. Creating an accessible user experience will help an organization meet Section 508, ADA, AODA, WCAG 2.0 and other compliance standards.
  • Strengthening the organization’s brand and creating a strong sense of purpose. Many companies set out to create meaningful connections with their audience via an accessible user experience. This strengthens the company brand and contributes to ESG initiatives, in turn increasing the likelihood of attracting new ethically-driven users.

Companies looking to create accessible digital communications or documents can utilize solutions that convert content into an accessible format for those with disabilities, enabling access to content with feature parity.

Transforming the UX

There are a number of areas to consider in order to improve the UX you are delivering, not least making sure that your content is well structured and discoverable. Content that has a meaningful structure allows for full navigation and this, like many accessibility features, benefits all readers and gives everyone a richer experience. Users who rely on assistive technology to access content need a clear navigable structure that screen readers and other technologies can make sense of.

Treatment of images within the content is also crucial to the UX and supplying relevant alt text to accompany graphics will mean that print-disabled readers can learn and experience the image in the same way as everyone else. Your treatment of images and richer content will define how accessible your content is and whether the UX delivers.

These are just two areas that need consideration when thinking about delivering an accessible UX. InclusiveDocs has developed an innovative approach to delivering a complete user experience, offering a streamlined, cost-efficient alternative to manual remediation processes. The AI technology within the platform helps to build models adapted from the content, resulting in automated workflows, significant cost savings, and a consistent user experience. Accessibility feature options allow readers to display or access information specific to their user requirements.​

Transforming the UX allows organizations to reach their entire audience.

This article was prepared in collaboration with InclusiveDocs. InclusiveDocs offers conversion solutions for multiple forms of accessible documents, including EPUB and HTML, with added features such as text-to-speech. End-users can access content from any device connected to the internet, or read offline via fully accessible EPUBs. This solution is suitable for all organizations that publish digital content and want to make it accessible to all members of their audience.

As an Inclusive Publishing Partner of the DAISY Consortium, InclusiveDocs is helping to support our work to progress accessibility in all aspects of digital publishing and reading.

EAA Case Study: Finland

The EU flag with a landmark icon of Helsinki's cathedral placed in the middleThe European Accessibility Act has galvanized many European countries and The DAISY Consortium has been pleased to take part in many interesting and collaborative conversations with partners, members and interested parties.

Each country has their own story and their own unique set of experiences in approach to the EAA and we are attempting to capture some of these in our new series of case studies. The more we can share and learn from each other, the better prepared we hope everyone will be.  

Finland 

First up is Finland, a country with two official languages, Finnish and Swedish, and with a relatively small book market. We had the pleasure of speaking with Miia Kirsi from Celia who are integral to the Finnish approach to the EAA. Celia, the national library for accessible literature and publishing in Finland, works towards equality in reading and learning and belongs to the administrative sector of the Ministry of Education and Culture.  

Publishing houses in Finland tend to be small and, in accordance with the EAA, micro-enterprises are not necessarily required to adhere to the new legislation. The hope is that everyone will make the effort to comply, irrespective of their size.  Audio publishing, and consequently all forms of digital publishing, is experiencing something of a boom in Finland and in 2020 the ebook market represented 4500 titles.  Not bad for a population of just 5 million! 

With regards to accessibility, it is far to say that for many this is still an afterthought in Finland. Education publishers are probably furthest ahead because of accessibility requirements for students. Ironically, trade publishers, for whom the accessibility challenge is arguably the most straightforward, are not doing so well and publishers don’t tend to consider the user experience. 

Stakeholder Platforms and Industry Collaboration 

In Finland, various government ministries are responsible for the implementation of the EAA. To foster collaboration there have been intra-ministerial meetings to which all stakeholders have been invited  

Celia works hard with other stakeholders to address challenges and their close collaboration with The Finnish Publishers Association is particularly important.  On October 6th they are co-hosting a seminar “Accessible Ebooks: From Directive to Practice”. Together, both organizations are actively advocating for EPUB 3 and are looking for ways to provide training in this area.  

Celia also takes part in the Nordic Inclusive Publishing Initiative (NIPI) which meets twice a month to share information. The group has members from all five Nordic countries and organized an online accessibility conference Include! in November 2020. There are plans for another conference focusing on Inclusive Publishing for Spring 2023. 

Pilot Project to Assess Digital Files 

Of the 4500 digital titles produced in Finland annually, the majority are produced in EPUB 2 – something which Miia and her team explored during their Accessible EPUBs Pilot this year. The main goals of this project were: 

  • To assess the current accessibility status of EPUB files 
  • To gather information about typical EPUB workflows 
  • To identify risks and weaknesses in the production of accessible content  
  • To identify and develop materials that are needed 

It appears that publishers are not tending to specify EPUB 3 – many are used to working with print-based workflow models so aren’t inclined to change. That being said, many of the files that were examined for this project did include accessibility features and were more accessible than expected. All had some semantic markup and many of them included a Table of Contents. They weren’t “accessible” per se but a move towards EPUB 3 could hail great improvements.  

Other areas that need attention are: 

  • The use of accessibility metadata 
  • XHTML files need improving – correct use of language tags etc 
  • Inclusion of alt text 

What is apparent from this project is that the publishing industry in Finland still looks to the print version first with the digital version being an afterthought. Digital files are not given the same level of scrutiny as print PDFs are given. 

Challenges in this Market 

  • Post-production work for InDesign files needs attention 
  • Responsibility: everyone needs to take an element of responsibility throughout the publishing workflow 
  • Knowledge and Awareness needs improving  
  • Understanding of Tools and Solutions  

Implementation Plans and Resources 

The government has prepared an implementation plan: The National Implementation of the Accessibility Directive for Products and Services (provided here in Swedish for easier translation). This is an ongoing project looking at all areas of implementation within the Finnish market. 

The Finnish Publishers Association and Celia plan to collaborate on various fronts to help the publishing industry prepare for the requirements of the EAA, to find reliable resources and obtain information about accessible publishing in Finnish or Swedish, all to be made available on a website that will point users to the correct path. 

Top Tips for Other Publishers on their Accessibility Journey 

  • Use InDesign more effectively!  
  • Educate all departments within a publishing workflow about the role they need to play. 
  • Not all areas can necessarily be outsourced – awareness about accessibility needs to be addressed in-house also.
  • Metadata needs early attention and training for in-house staff on the importance of accessibility metadata is vital. 

Our thanks to Miia for her collaboration on this case study. If you are interested in the work being done by Celia in this area or would be interested in taking part in a similar case study please contact us for further information.  

Resources and Links 

EPUB Accessibility 101 (W)

EPUB Accessibility 101 Title SlideIn our series of free weekly webinars October 6th saw a session focused on EPUB Accessibility. Our speakers showed everyone what happens under the hood of an EPUB file to support accessibility and managed to demystify some of the technicalities surrounding EPUB.

This page contains:

Full Video of the Webinar

 

Speakers

  • Richard Orme, The DAISY Consortium—host and chair
  • Rachel Comerford, Macmillan Learning
  • Tzviya Siegman, J. Wiley and Sons

Session Overview

What is EPUB? The Basics

Rachel Comerford took us through some of the “acronym soup” that makes up an EPUB file, namely:

  • Mimetype – which tells the reading system being used that this is an EPUB file
  • META-INF – which points to the file and allows the reading system to find it
  • OEPS-OPS – containing the content and everything needed to display that content (including the CSS which describes how the book should look)

What is EPUB? Focus on HTML

The text of an EPUB publication is written in HyperText Mark-Up Language (HTML) and Tzviya Siegman explained to us the importance for accessibility of the native semantic elements that can be conveyed within the HTML. Every element in the HTML mark-up contains a meaning and greatly assists with content navigation and order of reading layout.

What is EPUB? Focus on DPUB-ARIA and epub:type

Sometimes content is more complex than the available HTML elements can cope with and Accessible Rich Internet Applications (ARIA) provide another way of applying semantic meaning to content i.e. it describes a content component to the reader. DPUB-ARIA specifically maps to the epub:type vocabulary for EPUB content.

Navigating EPUBS

Rachel explained that all EPUB packages contain a navigation document (within the OPF file) from which the Table of Contents (TOC) is generated. The TOC is crucial for accessibility and together with headings, it generally echoes the familiar structure of printed content.

Links are also valuable for accessibility and it’s important to choose a reading system that exposes internal and external links to the reader.

The Value of EPUB Metadata

Also found in the OPF file, EPUB metadata provides information about the accessibility features and potential limitations of the content. Rachel urged us all to make as much use of metadata features as possible, not least via The Accessibility Summary section where the publisher can provide specific information for readers in a non-technical way. See the slide deck attached to this overview for a terrific example of this type of summary provided by Macmillan Learning.

Related Resources

Discover the other webinars we’re running!

EPUB Adoption in Academic Libraries–Progress and Obstacles

cellphone with ebsco name displayed and various icons extending from the sides to represent a swiss army knife effect New Inclusive Publishing Partner, EBSCO, explores the challenges of EPUB adoption for academic libraries.

Just as accessibility in publishing has gained momentum in recent years, so has accessibility in libraries. In 2019, the Los Angeles Community College District ruling was an inflection point–libraries were found to bear responsibility for the resources they make available to users, even with limited control over the vendor platforms themselves. Vendors perked up and have made great strides in recent years, ensuring their software and platforms conform to standards whilst providing increasingly accessible experiences for users. Despite the progress with platforms, however, there are still some endemic challenges that limit the accessibility of ebooks in academic libraries. With EBSCO’s scope and reach, we feel we have a vital role to play in addressing these challenges wherever we can.

We see this un-met potential when we look at the EPUB availability and EPUB accessibility of academic content.

One challenge is that the EPUB format has simply not yet achieved broad acceptance with academic users. EPUB has many accessibility advantages compared to PDF, but until the format is pervasive and fully supported, academic users will not fully benefit from those advantages. Since demand for the format is limited, so is the pressure on publishers to create EPUBs and to invest in the accessibility potential. Academic users tend to gravitate to PDF because it’s familiar. They know exactly what they can and can’t do with it, and they’re using PDF for journal articles, which is a large portion of academic research output. EBSCO gives the user a choice to access the EPUB version for every title where the publisher makes both a PDF and an EPUB version available, and users only select the EPUB version 15-20% of the time.

The single biggest factor driving academic libraries’ resistance to EPUB (and the persistence of PDF) is the lack of pagination. Most EPUB files we receive from publishers do not contain pagination, which means there are not stable page numbers for citations, a critical aspect of academic research and scholarly communication. Citation standards have mostly kept up with the times: they instruct users to cite the database or even the chapter and paragraph if an ebook is in EPUB format or is accessed on a reader without stable pagination. This is simply unacceptable for most of the faculty that we talk to, on practical grounds as well as philosophical. Faculty members that have to grade papers and check sources recoil at the thought of finding an ebook in a database and counting paragraphs when they are already sitting under a mountain of undergraduate essays. But perhaps more important is the integrity of knowledge-transfer–it’s important for the scholarly record to easily identify the place in the work where the knowledge was produced, and to preserve the continuity of the scholarly discourse. So “arbitrary” page numbers that might be displayed by the device are not acceptable if they don’t correspond to other versions of the work, and if they aren’t consistent across platforms. Only 25% of our incoming EPUB files contain page numbers, and until we can get this number much higher, academic libraries and users will not adopt EPUB at scale. Without the use and demand, the evolution of the format and the possibilities for academic users that would benefit from it are diminished.

Only 25% of our incoming EPUB files contain page numbers, and until we can get this number much higher, academic libraries and users will not adopt EPUB at scale.

We see this un-met potential when we look at the EPUB availability and EPUB accessibility of “academic content.” Publishers whose content is available in academic libraries range from large commercial publishers to university press publishers (among which there is also much variation), to very small or specialized academic presses. A significant portion of this content set is still in PDF only–30% looking at 2019 and forward publication years. Most of the publishers that aren’t creating EPUB for all of their titles indicate that they can’t afford the EPUB conversion process. It’s an unfortunate reality that many small academic publishers are simply not able to produce EPUB files, let alone born accessible ones. That said, even some major publishers have indicated that if a title has formatting or other characteristics that don’t easily lend themselves to reflow, they only produce a PDF. We are aware of some working groups addressing formatting challenges like these, so we are hopeful that EPUB solutions will be found in the coming years.

Among the EPUB-format files EBSCO receives, not all have been made fully accessible. While the production processes of trade and higher education publishers have matured to the point where most are creating born-accessible EPUB files, the landscape of academic publishers is much more varied. To assess the files we do host, EBSCO created an EPUB assessment tool integrating Ace by DAISY, and to date we have assessed 1.16 million EPUB files. Only around 40% of these fully pass a check for the WCAG 2.1 A standard.

EBSCO works closely with publishers to provide them data about the accessibility of their files. Our detailed “Progress Reports” show them the extent to which they are passing or failing accessibility checks, what percentage of their titles have an EPUB version, and how to access resources, vendors, or organizations like Benetech to help them improve. We even produce a title-level report showing which files pass or fail which WCAG metrics, in the hopes that the data can be used to drive targeted improvements in their production processes. That said, only a quarter of our publishers say that the problem is the know-how. Almost half of publishers say they just don’t have the budget to make the needed improvements to their workflows.

Since EPUB has not yet been broadly adopted (or demanded), few vendors offer online EPUB reading systems which would greatly improve and universalize an accessible experience for users. The reason an online reading system is important is that most academic publishers require the use of (Adobe) DRM to support library checkouts and user access limitations. (Not all publishers require DRM, and for those that don’t, users can get a DRM-free EPUB for download fairly easily.) With the option to access the EPUB online, users can access the full range of EPUB and accessibility features available without having to download into a separate reader that might limit the accessibility of the title.

EBSCO’s choice to offer and evolve a fully-featured online EPUB reader stems from our desire to optimize the experience for all our users, to support the EPUB standard as it evolves, and to be advocates for the potential of EPUB in the academic setting. Each year, we measure our industry’s progress–on EPUB output, on accessibility metrics, and on usage, and we are happy to report that all of these metrics are headed in the direction we, as a community, would like. We have also joined the W3C EPUB working group to address EPUB pagination consistently across the publishing ecosystem. Many of the EPUB working groups are populated by trade publishers and reading system vendors, so we see our role as being advocates for the academic users as a vital partnership with these colleagues. We hope that combining their experience in trade publishing with ours in academic libraries will lead to real benefits for users performing research and accessing readings assigned in academic courses. To learn more about accessibility at EBSCO, visit https://www.ebsco.com/technology/accessibility.

This article was written for Inclusive Publishing by Kara Kroes Li, Director of Product Management, EBSCO

What does the European Accessibility Act Mean for Global Publishing?

Flags of the member states of the European Union in front of the EU-commission buildingDirective (EU) 2019/882 of the European Parliament and of the Council on the accessibility requirements for products and services

Our thanks to Laura Brady (House of Anansi) and Tzviya Siegman (John Wiley & Sons) for this article.

The European Accessibility Act

What do publishers around the world need to know about the European Accessibility Act? This legislation is some of the strongest we’ve seen around accessibility and will force change, without question. If publishers plan to sell digital products into the European Union in the near future, they must get up to speed on what this means for their workflows.

So, what is the legislation exactly? The EAA is a directive that aims to improve the functioning of the internal market for accessible products and services, by removing barriers created by divergent rules in Member States.

Businesses will benefit from:

  • common rules on accessibility in the EU leading to costs reduction
  • easier cross-border trading
  • more market opportunities for their accessible products and services

Persons with disabilities and elderly people will benefit from:

  • more accessible products and services in the market
  • accessible products and services at more competitive prices
  • fewer barriers when accessing transport, education and the open labour market
  • more jobs available where accessibility expertise is needed

The Directive entered into force in June 2019.  Member states have until 28 June 2022 to adopt and publish the laws, regulations and administrative provisions necessary to comply with this Directive. This means introducing new and/or updating existing national legislations to comply with its principles and requirements. The full force of the legislation comes into effect on June 28, 2025.

The legislation follows market-driven standards, requiring publishers to produce their digital publications in an accessible format  It also requires the entire supply chain (retailers, e-commerce sites, hardware and software reading solutions, online platforms, DRM solutions, etc.) to make content available to users through accessible services.

The EAA hinges on the discoverability of products and services by end users. Using international standards for accessibility , such as EPUB 3, and describing the accessibility features within the content with schema.org and ONIX metadata enables publishers to expose metadata on retailer and publisher websites, which is crucial.

General Summary

The legislation applies to products and services placed on the market after June 2025

These include:

  • Hardware
  • Software
  • Websites
  • Mobile Apps
  • ecommerce
  • ereaders
  • ebooks and dedicated software
  • all products and services, including information about how to use above, user sign in, and identity management

There are several factors which allow specific organisations to be exempt from compliance. In addition, the directive does not apply to the following types of content on websites and apps:

  • Pre-recorded time-based media published before 28 June 2025.
  • Office file format documents published before 25 June 2025.
  • Online maps; though if the map is used for navigational purposes then the essential information must be provided in accessible format.
  • Third party content that is entirely out of the control of the website or app owner.
  • Reproductions of items in heritage collections which are too fragile or expensive to digitise.
  • The content of web sites and apps which are considered archival, meaning they are not needed for active administrative purposes and are no longer updated or edited.
  • The web sites of schools, kindergartens, and nurseries, except for content pertaining to administrative functions.

Service Providers must prepare necessary information and explain how services meet this act.

All accessibility information must remain private.

In general, this follows the same principles as WCAG’s Perceivable, Operable, Understandable, Robust model, but it points to specific outcomes. The requirements of this legislation incorporate many types of disabilities, including cognitive disabilities, which have only begun to be incorporated into WCAG.

It’s time for publishers to come to terms with what’s required to meet accessibility standards. If the EU is part of your market, it should be a business imperative to investigate how to fix workflows, and implement robust metadata practices.


Information from the EAA Legislation that Pertains to the Publishing Industry

Details from Appendix I in Directive 2019/882

Information and Instructions

Information, instructions for use must be:

  1. be made available via more than one sensory channel;
  2. be presented in an understandable way;
  3. be presented to users in ways they can perceive;
  4. be presented in fonts of adequate size and suitable shape, taking into account foreseeable conditions of use and using sufficient contrast, as well as adjustable spacing between letters, lines and paragraphs;
  5. with regard to content, be made available in text formats that can be used for generating alternative assistive formats to be presented in different ways and via more than one sensory channel;
  6. be accompanied by an alternative presentation of any non-textual content;
  7.  include a description of the user interface of the product (handling, control and feedback, input and output) which is provided in accordance with point 2; the description shall indicate for each of the points in point 2 whether the product provides those features;
  8. include a description of the functionality of the product which is provided by functions aiming to address the needs of persons with disabilities in accordance with point 2; the description shall indicate for each of the points in point 2 whether the product provides those features;
  9. include a description of the software and hardware interfacing of the product with assistive devices; the description shall include a list of those assistive devices which have been tested together with the product.

User Interface (UI) and functionality design.

Products and their UI must contain features that enable disabled people to perceive, understand and control them, by doing the following things:

  1. Communications must be over more than one sensory channel
  2. Speech alternatives must be provided
  3. When product uses visuals, must provide flexible magnification, brightness, contrast
  4. When product uses color, must convey information in an alternate way
  5. Audible information must be conveyed in an alternative way
  6. Visual elements must offer flexible ways of improving vision clarity
  7. Audio –  must provide user control of volume and speed and improve clarity
  8. Manual controls shall provide sequential controls (not simultaneous)
  9. Avoid operations requiring extensive strength
  10. Avoid triggering photosensitive seizures
  11. Protect user’s privacy when using accessibility features
  12. Alternatives to biometric id and controls
  13. Consistency of functionality and enough and flexible time for interaction
  14. Interaction with assistive tech
  15. the product shall comply with the following sector-specific requirements:

Publishing

  • e-readers shall provide for text-to-speech technology

Support Services

Where available, support services (help desks, call centers, technical support, relay services and training services) must provide information on the accessibility of the product and its compatibility with assistive technologies, in accessible modes of communication.

Section IV, article f  Ebooks

  1. ensuring that, when an e-book contains audio in addition to text, it then provides synchronised text and audio
  2. ensuring that e-book digital files do not prevent assistive technology from operating properly
  3. ensuring access to the content, the navigation of the file content and layout including dynamic layout, the provision of the structure, flexibility and choice in the presentation of the content
  4. allowing alternative renditions of the content and its interoperability with a variety of assistive technologies, in such a way that it is perceivable, understandable, operable and robust
  5. making them discoverable by providing information through metadata about their accessibility features;
  6. ensuring that digital rights management measures do not block accessibility features

(Note: all of these, except as relates to DRM are part of the EPUB specification)

 E-Commerce Services

  1. providing the information concerning accessibility of the products and services being sold when this information is provided by the responsible economic operator;
  2. ensuring the accessibility of the functionality for identification, security and payment when delivered as part of a service instead of a product by making it perceivable, operable, understandable and robust;
  3. providing identification methods, electronic signatures, and payment services which are perceivable, operable, understandable and robust.

Section VII – Functional Performance Criteria

  1. Usage without vision. Where the product or service provides visual modes of operation, it shall provide at least one mode of operation that does not require vision.
  2. Usage with limited vision. Where the product or service provides visual modes of operation, it shall provide at least one mode of operation that enables users to operate the product with limited vision.
  3. Usage without perception of colour. Where the product or service provides visual modes of operation, it shall provide at least one mode of operation that does not require user perception of colour.
  4. Usage without hearing. Where the product or service provides auditory modes of operation, it shall provide at least one mode of operation that does not require hearing.
  5. Usage with limited hearing. Where the product or service provides auditory modes of operation, it shall provide at least one mode of operation with enhanced audio features that enables users with limited hearing to operate the product.
  6. Usage without vocal capability. Where the product or service requires vocal input from users, it shall provide at least one mode of operation that does not require vocal input. Vocal input includes any orally-generated sounds like speech, whistles or clicks.
  7. Usage with limited manipulation or strength. Where the product or service requires manual actions, it shall provide at least one mode of operation that enables users to make use of the product through alternative actions not requiring fine motor control and manipulation, hand strength or operation of more than one control at the same time.
  8. Usage with limited reach. The operational elements of products shall be within reach of all users. Where the product or service provides a manual mode of operation, it shall provide at least one mode of operation that is operable with limited reach and limited strength.
  9. Minimising the risk of triggering photosensitive seizures. Where the product provides visual modes of operation, it shall avoid modes of operation that trigger photosensitive seizures.
  10. Usage with limited cognition. The product or service shall provide at least one mode of operation incorporating features that make it simpler and easier to use.
  11. Privacy. Where the product or service incorporates features that are provided for accessibility, it shall provide at least one mode of operation that maintains privacy when using those features that are provided for accessibility.

Resources

George Kerscher Named NISO Fellow for Lifetime Achievement in Information Access

Photograph of George KerscherCongratulations to Dr. George Kerscher,  Chief Innovations Officer at The DAISY Consortium and Senior Advisor, Global Education and Literacy at Benetech, who was recently recognized as a Fellow by the National Information Standards Organization (NISO) for his lifetime of achievement. An internationally recognized leader in document access, he has been devoted to making published information fully accessible to persons with print disabilities since 1987. We had a chance to hear from George about what this honor means to him and how people with reading barriers can be better served across industries and disciplines going forward.

Q: What does being named a NISO Fellow mean to you?

GEORGE: I have worked with NISO for more than 20 years, and most of that work has been in the library sector. NISO is also a pathway for the US to contribute to international standards, and I have participated in those activities as well. Most recently, ISO (an independent, non-governmental international organization) has approved the EPUB Accessibility Conformance and Discovery specification, and I participated through NISO in that work.

Being named a NISO Fellow is a great honour, and, being blind, I feel this reflects the change in society toward inclusion. People with print disabilities must be considered as we design information systems and standards.

Q: After achieving this distinguished honour through your work and accomplishments, what is the next critical problem that needs to be addressed regarding accessibility?

GEORGE: There is a lot more to do in access to information. Yes, the publishing industry has really stepped up to the accessibility plate, but there are still many publishers who need to embrace the principles of born accessible publications, meaning ebooks that have accessibility features built in from the start. Furthermore, society in general needs to be producing born accessible publications as a part of the normal process of document creation. I understand that Ph.D. students are now starting to produce their theses as accessible publications. This trend needs to be pushed down to all college students, and then down to high schools and into elementary schools. As soon as students start to produce materials for other students, they should make sure all students can read and consume what they produce. I can envision seventh graders creating documents which they share, and some of the students read them with the read aloud function and text highlighting as it is spoken. Once the features of accessibility are generally understood, they will become commonplace.

Q: How do people know if a title will be accessible?

GEORGE: In a born accessible EPUB, accessibility metadata is embedded using the schema.org vocabulary. Publishers are also including accessibility metadata using ONIX. The Publishing Community Group at the World Wide Web Consortium (W3C) is finishing up a user experience guide for translating the technical metadata to a user-friendly set of information. VitalSource has already implemented this in their catalogue, which means people can decide if the title will work for them, or if it would be a good option for a course. We need to promote this approach of exposing accessibility everywhere, including library systems and search engines.

Q: What’s next for areas such as accessible math standards?

GEORGE: All browsers and reading systems need to support MathML natively. Screen readers used by blind users have supported MathML for years, but until browsers and reading tools provide correct visual presentation of equations written in MathML, it will not be accepted. I expect that read aloud functions will present spoken math correctly and highlight the expression as it is spoken. If we can figure out how to have a car drive itself, we should be able to have math made fully accessible. While reading math correctly is the first step, doing math must also be fully accessible. Interestingly, it was the National Science Foundation (NSF) that first provided me with a tiny grant to work on accessible math back in 1989, and this problem is still not solved.

Q: How can professionals in publishing, education, technology, and other disciplines work together to better serve people with reading barriers?

GEORGE: Born accessible documents and publications are at the core of a change in the information society to be fully inclusive. Authors and publishers must embrace the born accessible movement. Authoring tools must include accessibility checkers, like Word does today, MathML, and features to add alt text to images and provisions for extended descriptions. The reading systems and apps must be fully accessible and tested, and the work at epubtest.org is a good example of the testing. Schools and institutions of higher education must buy born accessible ebooks that are third-party certified, as Voluntary Product Accessibility Templates (VPAT) may say all the right things but do not prove that the book is accessible.

About George Kerscher

George Kerscher, PhD, is the Chief Innovations Officer for the DAISY Consortium and served as the President of the International Digital Publishing Forum (IDPF).  An internationally recognized leader in document access, he has been devoted to making published information fully accessible to persons with print disabilities since 1987. He coined the term “print disabled” to describe people who cannot effectively read print because of a visual, physical, perceptual, developmental, cognitive, or learning disability. A tireless advocate, George believes that access to information is a fundamental human right and properly designed information systems can make all information accessible to all people.  He is the Director Emeritus at Guide Dogs for the Blind and in 2012 was honoured at the White House as a Champion of Change for leading innovation in the fields of science, technology, engineering, and math for people with disabilities. George and his guide dog Kroner graduated from Guide Dogs for the Blind in July, 2015.

About NISO

The National Information Standards Organization is a not-for-profit membership organization that identifies, develops, maintains, and publishes technical standards to manage information.

This article has been cross-posted with kind permission of Benetech, where George is a Senior Advisor. Our thanks to Carrie Motamedi, the author of this interview. George is also the Chief Innovations Officer at The DAISY Consortium and you can read more about the NISO Award at our DAISY news piece.

The Art and Science of Describing Images Part Three (W)

Art of Science of Describing Images part 3 title slide
In our series of free webinars February 10th saw the 3rd session focusing on image description: in the series entitled, The Art and Science of Describing Images. This webinar focused on 3 specific types of complex images with speakers Huw Alexander and Valerie Morrison showing us all how they approach these seemingly daunting areas.

This page contains:

Full Video of the Webinar

Speakers

  • Richard Orme, The DAISY Consortium—host and chair
  • Valerie Morrison—Center for Inclusive Design and Innovation at Georgia Institute of Technology
  • Huw Alexander—textBOX Digital

Session Overview

Huw Alexander opened this session by giving us a brief resume of what the webinar will cover. Continuing on from Part Two of this series this session will focus on 3 specific types of complex image: Artwork, Anatomy and Assessment.

Artwork

As with all images, Valerie advocates beginning with an overview of the artwork piece, the title together with a brief resume of the main components. For a more complex description it is imperative to consider the context for which you need the description. This may include:

  • The painting style
  • The color and composition
  • The style of the figures
  • Allegorical messaging
  • Influences
  • Historical notes

To include all of these notes within your alt text image description would be far too much and if there is a need for lengthy content here then it is better to write an extended description.

Huw explained “Sector Description” – by breaking down a painting into sections you can take the reader on a journey. This can be done in a number of ways: linear, clock face style, compass etc. Using this approach helps to create an immersive experience for the reader.

Valerie and Huw used some excellent examples to demonstrate how effective these techniques can be when describing complex images.

Anatomy

Making sure that you convey the relevant and precise elements of an anatomical image is likely to be an exacting process. Valerie made the point that you have to think very carefully about what to include in your description, because simply labelling all the parts often isn’t good enough. It doesn’t take into consideration the context in which the image is being used and it is far more useful to consider the following:

  • The name of the structure itself
  • The shape
  • The location
  • Proximity

Huw’s sectoring approach works very well with anatomical images, deciding what needs to be retained and considering the visual impact of the image itself.

Assessment

Images that are used in assessments, quizzes and tests can be extremely hard to recreate in description form and Valerie suggested that assessors consider an egalitarian approach here. By thinking of alternative ways to test knowledge you may be far more successful in creating a useful testing scenario. The example used was a geography question on the silhouettes of countries and the following might work equally well:

  • Questions about the size and shapes of countries
  • An essay question
  • Tactile graphics

All of these would test knowledge in various ways and offer an alternative to the silhouette question!

 

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