Tag Archive for: accessibility

W3C Workshop on Digital Publication Layout and Presentation

September 18th to 19th, 2018

The W3C have announced the latest in a series of workshops exploring the capabilities needed to ensure that the web delivers on its full potential as a universal platform for digital publishing.

This technical workshop will focus on evaluating the current status and exploring future directions of visually-rich long-form digital publications based on Web Technologies (particularly CSS, the formatting language of the Web), encompassing both fixed and dynamic layouts. Such “high-design” publications, with complex or sophisticated layout, may be sequential art (Comics, Manga, Bandes-Dessinées, etc.), magazines, picture books, cookbooks, educational materials, etc.

Date

September 18-19, 2018

Venue

Tokyo, Japan

Learn More

Further details and how you can participate in this event can be found at the event listing on the W3C website here

Thanks for the Feedback!

Feedback written on a chalkboardHuge thanks to everyone that took part in our Inclusive Publishing Survey recently. We’ve been delighted with the response and we are very interested in everything you had to say.

A good cross-section of publishers, educators and developers took the time to answer our questions and it is rewarding to hear that you all find Inclusive Publishing such a relevant hub of information and that having one “convenient and authoritative source” for material on accessible publishing is proving to be of great use to our industry. We also received answers from all levels of experience with accessibility which was ideal and we are immensely grateful to everyone who took 10 minutes to submit their thoughts and ideas.

In particular, we are pleased that so many people who are new to accessible publishing made the effort to let us know what they would like to see on the site and how we can help them to further their knowledge. This is invaluable information for us and we are working to improve these areas of the site – our newly designed resource menus for each user group should make it a lot easier for nontechnical personnel to navigate accessibility requirements and our introductory pages for each relevant area should help to present topics to those new to accessibility. We want to make sure that you have all the information that you need at your fingertips!

Good to hear that our topical articles, news items and industry event calendars are proving to be such a success. As ever, we rely on our subscribers, members and interested readers to keep us informed of what’s going in their areas so keep sending us your updates and we will make sure that we promote them and inform the international community of your good work.

Workflow and best practice guidance was another area that was highlighted as being particularly important to our readers and we are embarking on a series of case studies to highlight industry best practice in this area. If you think you’d like to take part in this then we would be delighted to hear from you.

Most commented on the site’s success in promoting EPUB as an accessible mainstream format for the publishing industry and we will continue to do this via all of our content streams. To help we have included specific EPUB information relevant to each user group within the resource menus. Our close relationship with the W3C remains as important as ever and we encourage all of our readers to participate in their activities wherever possible.

We work continuously to improve the Inclusive Publishing site and newsletter to ensure they remain as relevant as possible to you. The survey is closed for now, but we always welcome your feedback – so do get in touch if you have suggestions for how we can improve anything at all.

Notes from Berlin: DPUB Summit Highlights

Ken Jones, author of this article, displays his conference pass, program and conference information
 This is a guest post by Ken Jones – Ken specialises in writing workflow applications and offering training and consultancy for publishers on print and digital workflows. Ken’s company Circular Software’ provides software tools and services for a range of illustrated book publishers. Contact Ken on twitter @CircularKen on LinkedIn at linkedin.com/kenjones  or through the website circularsoftware.com.

This article has been kindly edited by Laura Brady and has been cross-posted on epubsecrets.com


The Digital Publishing Summit was held in Berlin on Weds 16th and Thurs 17th May. It was a wide-ranging and stimulating event full of interesting news about the digital publishing landscape.

The area of central Berlin we were in had a pleasant bohemian vibe. After my vegan panini and smoothie, I strolled to the event hotel as hordes of cyclists whizzed by along the sunny streets. Oh, wait, this is not a holiday review, allow me to continue… #not-eprdctn

This previous name for this yearly gathering used to be the ‘EPUB summit’ but this year it has been renamed the Digital Publishing Summit or ‘DPUB summit’ as it relates to digital publishing beyond EPUB. Before the main conference started around 40 of us started off the Wednesday morning with an extra Readium workshop led by Laurent Le Meur, CTO, EDRLab (@lmrlaurent). Laurent started but outlining some of the challenges with Readium 1 — notably performance, accessibility gaps and lack of Windows and Linux SDKs. They decided to  to start R2 with fresh codebase and to create new mobile & desktop SDK named Readium-2 (aka R2).

The overall aim of the project is to deploy a set of open and interoperable digital publishing technologies in Europe, around an open, flexible & accessible standard applicable to all kinds of digital publications

Laurent Le Meur presenting at DPUB Summit

R2 is being optimised for performance, ease of maintenance, and is well documented with consistency between target environments (so different OS, mobile, desktop). It is a live ongoing project with releases approx. every two weeks. Everything they are doing is on Github. Readium 2 apps are emerging already and an Alpha desktop version in publicly available.

They have an ambitious roadmap for 2018. Expect progress to be made in roughly in the following order: import, library, reflowable EPUB, LCP (Readium Licensed Content Protection), user settings, RTL, fixed-layout, CBZ (comic books and manga), OPDS (Open Publication Distribution System), bookmarks, vertical text, themes, footnotes, accessibility navigation, search, support for WP, audiobooks, TTS, media overlays, more dyslexia support.

Laurent Le Meur presenting the EDRLab Roadmap for 2018

 

EDRLab are seeking a wider community for development, feedback, and financial support.

Phew! Got all that? I’ll explain in more detail about some of this below. The roadmap is available on GithubEDRLab are seeking a wider community for development, feedback and financial support. They need constructive testing (so don’t just moan about how it may look wonky or has missing features, they already know this!…) and, again, everything is open and logged on Github.

Hadrien Gardeur of Feedbooks then spoke about the Readium Web Publication Manifest. Think of it as an unpackaged and deconstructed ebook that exists in RAM. By abstracting the contents it means R2 reading apps can be much more responsive. By loading the publication into memory and preparing for transmission over the web. And it doesn’t have to be EPUB, any structured publication could be deconstructed. They already support CBZ (a format for comic books as images) and are in a good place to handle any new W3C formats that come in the future.

R2 ingests packaged EPUBs in this way ready to them streamed, parsed, and fetched as HTML resources. They refer to the flow of rendered content to the reader app as the ‘streamer’. Think of the R2 reading system in 2 parts: frontend and backend. The frontend reader is fed by the backend, which could be either within an offline app or streamed from a server. By pre-fetching and pre-rendering content in backend memory everything is presented super fast.

Readium CSS is the open resource that Readium apps are using to present content and to handle user settings. Glue JS is a new project being built for R2 which makes sense of pagination, scrolling, touch and key events and CSS, locations, and custom properties.

Aferdita Muriqi of EDRLab (@AferditaMuriqi) talked about where they are with Readium mobile apps and their future plans.

Aferdita Muriqi of EDRLab (@AferditaMuriqi) talked about where they are with Readium mobile apps and their future plans. The R2 iOS app is out now and it is still being developed with later builds regularly and betas here. The R2 Android app is also available now (in beta) from Googleand Github. R2 iOS and Android are being developed in tandem and share the same functionality and core code. But the different OS mean they have to handle things differently.

It’s important to understand that the EDRLab stance on mobile apps is that they will only ever be ‘test apps.’ They have no plans to produce a fully featured mobile reader instead will provide an open source example to others of what is possible and exactly how to do it.

The ultimate goal is a robust attractive reading system and to become an open replacement.

Daniel Weck of EDRLab (@DanielWeck) talked about Readium desktop apps and their future plans. Unlike the mobile apps the plan for desktop IS NOT to be just a test app. The ultimate goal is a robust attractive reading system and to become an open replacement. R2 desktop apps are already very impressive but are still in early stages. Latest builds available here.

Video demo of Readium desktop app

R2 apps (desktop and mobile) already come with support for OPDS (Open Publication Distribution System) basically a way for a metadata feed from a vast library of books to stream and also can point to book content. Sideloading is also possible. R2 Desktop has a load button for local files and mobile apps can load from weblinks or Dropbox etc. via the OS. If you interested in the future of EPUB readers, or the current lack of them, consider join me and others in testing and giving feedback to shape these valuable and open source mobile and desktop apps.

If you interested in the future of EPUB readers, or the current lack of them, consider join me and others in testing and giving feedback to shape these valuable and open source mobile and desktop apps

We then moved on to an interesting chat about EPUB Canonical Fragment Identifiers. In short, EPUB CFI is an accurate way to point to any content within EPUBs. Lars Wallin of @ColibrioReader demonstrated how to use EPUB CFI to achieve interoperable, sharable, annotations, bookmarks etc. EPUB CFI also support identification of interactive elements, images and even parts of images within EPUB. Yuri Khramov of @EvidentPoint then spoke how they are contributing to ‘Readium NG’ to support existing R1 users in their migration to R2 with as little pain as possible

Later, in the main DPUB conference, we heard more on how Readium Licensed Content Protection aka Readium LCP can store a user’s passphrase inside an EPUB reader to effortlessly unlock content. Hermann Eckel of German ebook company Tolino explained how Readium LCP is already installed in their hardware and how it is now their preferred copy protected solution.

Later we saw a live demo of a reader entering accessing an ebook using the standard library log-in.
Slide displaying details of the readium 2 LCP project

Eden Livres talked about how they invested last year to integrate LCP server side and now have over 80,000 titles now live with Readium LCP.

De Marque talked about how National Libraries Quebec achieve 6M+ ebook loans – quite a lot for a small city. Previous DRM systems had cost them over $800K CAD over the years and with countless hours of support and left them feeling powerless and not in control. LCP was a community project to take that control back. They are currently focus testing LCP with user in Quebec City, to be released this summer for all public libraries in Quebec province and other partners.

“DRM should be boring. It should be invisible and nothing to the user.”

A refreshingly neat quote that summed it up was “DRM should be boring. It should be invisible and nothing to the user.” #eprdctn

Garth Conboy of Google spoke about EPUB3.2 and future plans for EPUB at W3C and invited participation in the community group.

Slide displaying details of how the edge browser supports EPUB

Ben Walters of Microsoft (@_BenWalters_) gave a great presentation on how their Edge browser natively supports EPUB. Double click any DRM free reflowable or Fixed Layout EPUB on Windows 10 and it auto opens in this well featured reader. He said that reading books on a desktop or laptop may not be common but actually for reference or education the ability to have multiple pages of the same book, of different books, or other web content side by side can be very useful. One challenge for browser based reading is that people don’t expect a browser to work offline, even though they can for cached and local content. The challenge here is in education.

Microsoft Edge for iOS and Android edge on phone coming ‘very soon’. First releases were last year but last month’s update brings improvements including notes, better navigation, page sharing and media overlays! This is great stuff from Microsoft!… You hear that @Adobe…

Ben confirmed to me afterwards that, at launch, sideloading will not be possible for Edge on Android and iOS. It will only feature content from the Microsoft store.

Ben also won the prize for the most amusing slide when introducing his agenda.

Amusing agenda slide from Ben Dugas

Stephan Knecht from Bones AG demoed how their audio reader accepts EPUB by parsing a book into txt files. Able to handle cues like SSML, to indicate preferred speech speed, male, female voices for example. More here.

Stephan made an interesting point that his customers (often visually impaired, elderly, veterans) like the static simplicity of dedicated hardware. Rather than making a phone app, his credit card sized audio player has a run time 40 hrs with standby of months.

Word files are a ‘post paper digital artifact’

I really enjoyed the talk from Adam Hyde of Coko Foundation. He explained in a friendly rant how 90% of scholarly content is supplied as Word files and not truly digital. His phrase was Word files are a ‘post paper digital artifact.’ But not just there to complain, Adam had three solutions that all looked worth finding out more about:

  1. Getting content from word into HTML – XSweet.coko.foundation was released two weeks ago.
  2. How to edit content in HTML including citations, notes, tracked changes etc. (that is, the pro tools that are missing from Google Docs) — An open source HTML word processor.
  3. How to get digital content it out into legacy formats like PDF —Automation and using the browser as a typesetting engine: pagedmedia.org

Other highlights included @gleephapp a phone app that features a real-time barcode scanner of ISBNs and even book spines to make the link from physical to digital and then allows recommendations. This app has just launched in France with 33,500 users and 20,0000 titles.

Volker Oppmann of mojoreads (@onkelvolker) showed their neat book sharing platform which actually pays its users 10% commission for any sale that comes from their recommendation. #eprdctn

We also heard that Readium has further goals including an update to the Readium CloudReader with support for audiobooks.

I’m very glad I made the trip and I hope to attend again next year but I must conclude by saying this: it amazes me that Adobe is not attending, supporting, contributing development effort and funding to EDRLab. Privately they would have so much to gain themselves from this modern open source reading system And publicly, surely Adobe putting a couple of full time developers in EDRLab Paris for a year or two would both demonstrate and garner respect and support of their paying customers and the wider publishing community.

I’ll be talking more about Readium and demoing R2 during my PePcon session in a couple of weeks time if you’re attending CreativeProWeek and into EPUB and ebook development.

Also feel free to contact me directly if you’d like more info and I’ll help where I can.


Postscript. Typescript (@typescriptlang) seems to be a the current programming language of choice. Microsoft, EDRLab, and many of the smaller developers presenting at DPUB were all using it and speaking highly of it. http://www.typescriptlang.org

Houghton Mifflin Harcourt Celebrates GAAD with Demonstrations for In-House Teams

This news post was kindly submitted by Katy Mastrocola from Houghton Mifflin Harcourt

To celebrate Global Accessibility Awareness Day (#GAAD), the Trade Digital Managing Editorial team at Houghton Mifflin Harcourt’s Boston office held an open accessibility hour to demonstrate how iPads read ebooks using the VoiceOver feature. HMH’s Trade employees enjoyed hearing popular HMH titles such as Kwame Alexander’s Rebound read in various accents (Moira’s Irish accent and Daniel’s British accent were quite lovely) and asking questions about how the technology is used. Many were surprised to find that VoiceOver is available for free on all iOS devices!

The demonstration was not only a valuable learning experience for members of Trade curious about assistive technology and its role in publishing, but also for the ebook developers hearing their work on screen readers for the first time. Production Editor Kristin Brodeur got the full experience when her screen went completely dark and she had to figure out how to use the screen reader to change her settings. It was frustrating, but “gave [her] a better sense of what it’s like” to rely solely on a screen reader for navigation. It was also nice to share stories with co-workers about using assistive technology. Production Associate Allie Rottman pointed out that screen readers not only help those who are blind, but people with various other disabilities, temporary conditions, and recurring issues such as migraines. “Some readers will want [the content] read to [them] and then go back to reading traditionally” depending on the situation, she explained. Overall, the hour sparked conversations about providing alt-text for images, how various forms of emphasis and pauses are read (or not), and other forms of accessibility available in ebooks, such as the OpenDyslexic font. It will definitely not be Digital Managing Editorial’s last initiative to make HMH more #a11y friendly!

M-Enabling Summit, Washington DC

June 11th to 13th, 2018

The M-Enabling Summit promotes accessible technologies and environments for persons with disabilities and has established itself as the leading global conference and showcase covering fast-moving technology innovations improving access to digital content and services in new ways.

The M-Enabling Summit offers a unique gathering of leading executives and accessibility professionals from Government, Industry, and Advocacy Organizations from around the world to network and participate in plenary and specialized breakout sessions, as well as other special featured events.

Date

June 11-13, 2018

Venue

Washington DC

Learn More

For registration details and access to the full program visit the M-Enabling Summit website

Accessible ebooks: BIC Breakfast Event Report

BIC logoThe Book Industry Study Group held their regular BIC Breakfast meeting last month on the 25th of April focusing specifically on accessible ebooks. Speaking to a full room Emma House, Deputy CEO of the Publishers Association in the UK, opened proceedings with a presentation on the importance of accessibility and setting the scene in terms of legal and international requirements.

Do not wait; the time will never be “just right.” Start where you stand, and work with whatever tools you may have at your command, and better tools will be found as you go along.

Richard Orme, CEO of the DAISY Consortium, followed presenting a range of tools and support services based on industry accessibility standards. In particular, he concentrated on Ace, the new , open source, EPUB Accessibility Checker, a newly developed knowledge base built to accompany Ace and SMART (Simple Manual Accessibility Reporting Tool).

The DAISY Consortium (@accesibledaisy) promotes EPUB 3 because it has all the accessibility provisions that the book industry might need. #bicbreakfast

Chris Saynor from EDItEUR rounded off proceedings with a presentation on the importance of accessibility metadata looking specifically at schema,org, ONIX, the crosswalk and the role of each. Chris was asked the question whether accessibility metadata was actually being used by retailers and it was promising to hear that this is indeed starting to happen and that Amazon are keen for publishers to supply this level of detail.

Metadata improves discoverability. “Good” metadata improves sales. People with print impairments require different functionalities and the population of specific metadata fields to find the book they need. #bicbreakfast

For further information on this interesting event and access to the slide deck used by all speakers, readers should visit the BIC website.

Easy Access: Building Bridges for Better Access to Information, Leipzig

June 13th, 2018

For visually impaired and blind students and teachers the availability of accessible study materials is the precondition of academic success. This one day symposium, organized by the DAISY Consortium and the Equal Opportunities Office University of Leipzig and Deutsche Zentralbücherei für Blinde (DZB), will focus on the important topics of creating an “inclusive university” in a practical way and discussing possibilities of accessible publishing of and access to study materials.

Date

June 13, 2018

Venue

Leipzig, Germany

Learn More

Further information including registration details can be found at the DZB website

An Introduction to Screen Readers: Live Webinar

May 17th, 2018

In this webinar, Steve Sawczyn, Solutions Architect at Deque Systems, will demonstrate how he uses a screen reader to navigate the web. In celebration of Global Accessibility Awareness Day (GAAD), this fundamentals-based webinar will provide developers, designers, business users or anyone new to digital accessibility a first-hand experience of how people who are visually impaired navigate the web.

Date

May 17th, 2018

Venue

Online

Learn More

To book your place on this popular event visit the Deque Systems events page

Accessible Publishing to Feature at DPUB Summit in Berlin

The Digital Publishing Summit Europe, being held in Berlin on the 16th and 17th of May, 2018, has a significant focus on accessibility this year. EDRLab, the organizers of this popular event, aims to “strengthen a true spirit of cooperation between professionals supporting the adoption of open standards and software by the European publishing industry”.

Avneesh Singh, COO of the DAISY Consortium, will be presenting a session on EPUB 3 and accessibility alongside Stephan Knecht, CEO of Bones AG.

Avneesh and Stephan will concentrate specifically on validation tools and processes which can enable the publishing industry to implement accessibility with consistency and uniformity across diverse production processes. The new EPUB accessibility checker, Ace by DAISY, will demonstrated at this session and delegates will also benefit from an accessibility focus throughout the summit – from an introduction by ABC Excellence Awards Winner, Luc Audrain from Hachette Livre, to a presentation given by Cristina Mussinelli of the LIA Foundation, we look forward to an exciting and informative event.

For further details on the full program and registration see the DPUB Summit events page.

 

Ignore Those Bells and Whistles

This article was kindly submitted by Kevin Callahan, ebooks developer and proprietor of bngobooks.com

ereader placed on top of a pile of printed booksThere’s too much discussion in the ebook-making world about bells and whistles and EPUB3. Folks don’t want to make EPUB3 files because, who needs Javascript anyway? Kindles certainly don’t. How many books in their right minds need video? Very few. But many of these so-called bells and whistles aren’t that at all – they are simply regular features that you might find in some books but not necessarily all.

Features which, by their very nature, ensure that your ebooks reach a wider audience…

Ding Ding Ding

Understandably, no one wants particular features if they aren’t going to work everywhere. Scripting, MathML, audio and video: there’s no denying that support is spotty.

Talking about bells and whistles and how they’re not supported is a great way to keep the conversation limited to ebook developers and out of reach — or interest — of people in publishing. You know, our clients. Authors, editors, designers.

That’s why I’d like to banish that phrase and instead talk about real-life book features that our colleagues can get excited about. Features that are already in books and that can be boosted in the ebook edition and that will enrich the reading experience for all readers. Features that improve the accessibility of ebooks.

It’s All About Books

Let’s talk about the ordinary, everyday book: a novel, a memoir, a bit of history or politics. In other words, a book that’s mostly text, with a few images, a bibliography and maybe a glossary, perhaps a few tables.

Those elements aren’t bells and whistles.

They are parts of a book.

The same with tables of contents. Not every print book has one, but many do. So when included in an ebook, they don’t ring any kind of bell. They just live there, naturally.

When we organize a book, we use simple, straightforward hierarchies: what’s the book title (h1 in ebook-speak)? Chapter number and title (h2)? No bells and whistles here, just book stuff.

If we include a glossary, we prepare the manuscript so that glossary terms and their definitions each have the correct tags. No pealing bells here.

When we add a table of illustrations to go along with the table of contents, we’re not proposing anything unusual.

We’re just making the book more accessible. And when a book is accessible, it’s easier to use for everyone. It’s the same whether that book is a print edition or a digital one.

Why Resist?

I’ve wondered about the cause of the resistance, and I have an idea. Quite a while ago a client wished for a one-click solution to ebook making. Well, it’s available if InDesign is your source document. It is possible to export a valid EPUB from InDesign and just put it up for sale.

I sympathize with this stance. If sales aren’t there to support an hour or two of an ebook developer’s time, then I see why a publisher would shy away from doing further development. But: chicken, egg? Spend the time, plan to add simple book features — features you wish you had room to fit into print — and your readers will notice and buy your next book because its a better read for them, because its more accessible.

It’s Not Technical

One stumbling block for a lot of editors, designers, and even ebook developers is that it all seems so technical. Non-book-world verbiage, indecipherable version numbers, unfamiliar interface, no feel of paper or smell of ink. But think back to when we just had print – the lexicon was exclusive to many non-production people – CRC, formes, galleys, the list is endless.

ABut all you need to keep in mind is that EPUB3 lets a book be more like the books you cherish on your bookshelves. More text, more features that don’t fit into the page count, better structure that will survive future reading systems and thrive there. EPUB 3 helps us make sense of this new digital world – it allows us and our readers greater access.

It’s Also About the Future

Future reading systems? Yes, new and different reading systems will come along. Work is ongoing to improve e-reading software. So for an editor who needs her ebook edition of Moby Dick to be as readable in that future state as her paperback, the best idea is to make EPUB3 files now.

We Are All Book People Here

A book is a book, in whatever format. As a print designer, I take care with the print edition, nudging design elements, making sure styles are consistent, establishing clear hierarchy through typography. I’m going to want to do the same thing to the ebook edition. I’ll add tables of contents that are as complete as possible, make hierarchy clear through proper tagging, and ensure elements are marked up consistently. Like I said, an EPUB3 is just like a print book, only moreso.

More Thoughts

On epubsecrets.com, Laura Brady mused about the slow adoption of EPUB3, and countered several common arguments. Click here to read her take On the Slow Adoption of EPUB3.

Also on epubsecrets.com, Dave Cramer, cochair of the W3C’s EPUB3 Community Group, wrote about versioning, the differences between EPUB and the Web, and how we can create ebooks that utilize existing technology, old technology, and technology yet to come. Read “Good Enough: A Meditation on the Past, Present and Future of EPUB” here.

In the December 2017 edition of InDesign Magazine, I wrote the cover article on creating accessible EPUB3 files right out of InDesign. It can be done with minimal change in the workflow. Click here to access the article

 

Kevin Callahan is an ebook developer who writes and speaks about ebook design and production. He trains other developers — and everyone else in the publishing community — on best ebook–making practices. He specializes in adapting simple and complicated print designs to their best digital use. Kevin will be hosting webinars for the Editorial Freelancers Association and Editors Canada throughout 2018.

www.bngobooks.com  Twitter: https://twitter.com/bngobooks Facebook: https://www.facebook.com/BNGObooks/