It’s official. Publishers are getting on with aceessibility. – they are realising that many of the “challenges” are not as daunting as they first thought and with the arrival of EPUB 3 and now the Ace by DAISY EPUB accessibility checking tool, there is every reason to look forward to increased access to mainstream ebooks in the future.

However, the one area that still comes up in conversation is image descriptions and how to tackle them for all kinds of books, be they simple texts with a few graphics, to complicated works that can be rich in complex material

This is a good dilemma to have. We no longer find ourselves having to advocate heavily for accessible publishing and rather we are now in the preferred position of helping publishers realise that they can do this – that it’s not as difficult as they might have first thought, for the most part.

Bill Kasdorf, in his recent article for Inclusive Publishing If Accessibility Is So Easy, Why Is It Still So Hard? identified image descriptions as the “top challenge” for publishers:

“You may think the issue is just that they need to do them. But there’s way more to it than that. They need to understand how to do them properly, and when not to do them.”

It’s so important for publishers to grasp the reason for image description and alt text, to get to grips with how to tackle them and how to relate them to the context in which they appear.  Does an image need a particular style of description based on the expected reading audience? You may need to provide an environmental description of a landscape or perhaps a geographical one….

A geographical description of this image might be: The estuary scenery is a mix of salt marsh and tidal creeks flanked by industrial complexes.

Conversely, an environmental description would be quite different: The large pylon lines tower over woodland and are visible for many miles around.

 

 

 

Creating successful image descriptions is truly a skill. Image description can vary greatly depending on the requirement of the given context.

Depending on the workflow employed, image descriptions and alt text can be added to a document at various different stages. We naturally advise all content providers to insert any accessibility features as early on as possible – build them in from the very start a bit like you would on a construction site. But this may not be entirely possible and we do appreciate that.

Your author is an obvious place to start as they are familiar with their own text in a way that no one else is. They should be able to provide the nuances and contextual information that some rich graphics require. However, they may not be aware of the accessibility requirements behind image description or indeed the technical requirements of this additional content. Some publishers are providing training for their authors so that they can write descriptions that are meaningful and relevant and in some cases the requirement for this is built into their contract in the first place.

This may not be practical for everyone and so it may fall to editorial or production staff in-house or even 3rd party vendors with an expertise in this area. The important thing is to formally build this stage in your production process into your workflow so that it just becomes a natural part of your ebook development cycle.

Great – so you understand you need to do this and you’ve worked out who is best placed within your organization to take responsibility for it but what exactly do they need to do?

Most importantly you need to identify what the images within your content require in terms of accessibility. Not all images require description or alt text – they may be purely decorative and if this is the case then you should make sure they are labelled as such. Screen readers and other  forms of assistive technology need to be able to let their readers know what an image’s purpose is and if something is purely decorative then there is nothing more to be done.

If your image carries meaning or relevant information then it is vital that you describe this to your reader. Alternative text provides screen reader software users with access to all of the non-text information.

“This is why context matters the most, as you want to think about what information is the most important, the more pertinent, that you are trying to get across with an image.” (Oregon State University)

“Don’t just repeat the image caption in the alt text—how annoying is that, to have it read to you twice by your screen reader? The image description shouldn’t just say what the image is, it should say what it is there for, what it is trying to convey within a given context. This can require two distinct types of expertise: subject matter expertise, and an understanding of what a user of assistive technology needs.” (Bill Kasdorf)

Some complex images require longer description. You may be publishing a table full of complex data and in this case a short description in the alt text is a good place to start and then a longer more in-depth analysis / description can be achieved in the long desc box.

You may be wondering if Artificial Intelligence could be the answer? On the surface, deploying next generation technologies like artificial intelligence to generate image descriptions makes a lot of sense. Facebook, Google and Microsoft all have solutions in place to analyse an image and recommend an alternative text description of the image. It really is an interesting concept, and as the technology continues to evolve we should get more accurate descriptions of images. We will be covering this topic in more detail in a separate article but suffice to say it is still a way off from being a feasible solution.

 

 

 

 

 

 

 

 

 

 

 

 

Photo shows Captionbot.ai from Microsoft which has been shown a photo of a pair of glasses resting on an open book, which it believes is a “stack of flyers on a table”.

The RNIB has recently published some top tips for image description in social media but we think they are just as relevant for ebooks:

• Don’t overthink it! Make your description as short as possible while describing what the photo is trying to convey.
• You generally don’t have to say “image of”. Screen readers already know that there’s an image and they announce this before reading the image description.
• It’s ok to mention colour if it’s relevant to the image. Many screen reader users are partially sighted and use descriptions to clarify indistinct images (also people with sight loss do understand the concept of colour).
• Helpful v unhelpful: It’s important that your description helps to convey the intended message of the image. For example, a tweet shared an upcoming weather forecast with the text: “It’s going to get better soon!” A helpful image description would be: “Forecast showing temperatures of -18 degrees Celsius today improving to -1 degrees by Tuesday”. An unhelpful description would be: “Picture of weather forecast”.
• Trying to convey humour? Make sure this is also reflected in your image description so that all users can enjoy the joke. For example: “Dog looks suspiciously at the photo taker with the words: Where did the goat go?”

Most importantly – give it a go! Success comes with practice and publishers should bite the bullet and get on with it. It’s not that difficult!

A Few Resources to Help Get You Started:

The Accessible Books Consortium hosts a free 20 minute online training session on Accessible Images – describing what these are exactly and how best to tackle various types of images.  Very useful for beginners and handy for in-house awareness training.

The DIAGRAM Centre provides a host of resources designed to help content providers with image description. The POET tool “is an open-source web based image description training tool that helps people learn how to describe the various types of images found in digital books including complex images such as flow charts and Venn diagrams.”

Alongside this the DIAGRAM Centre also provides a set of comprehensive guidelines, samples and training. Work on these projects is on-going as a11y features and products advance.