Tag Archive for: EDRLab

DPUB Summit 2020

June 1st to 12th, 2020

The annual Digital Publishing Summit organized by EDRLab, will, this year, happen online. The two days of conferences, panels, workshops and meetups have been transformed into a set of “à la carte” online interactions. This is a free event, composed of several elements including:

  1. Content published in advance so that participants can “be aware” of the context of each session they are interested in.
  2. Live streaming sessions during the event (15 to 20 sessions, one hour each), with textual interactions between the panelists and the audience.
  3. Recorded sessions for those who missed a live session.
  4. Debrief sessions after the event, i.e. interactive sessions targeting the publication of a position paper about an important topic discussed during one or more sessions.

As usual, we anticipate a number of sessions dedicated to ebook accessibility and we will update this page as this information becomes available


June 1-12, 2020



Learn More

EDRLab have published details of this year’s summit on their event page

EDRLab Announces Program for DPUB

EDRLab  has announced it’s program for June’s European Digital Publishing Summit with a heavy focus on accessibility. DAISY colleagues, Avneesh Singh and Romain Deltour will both be presenting at the 2 day conference alongside an impressive line up of international speakers. There will be a number of sessions concentrating on accessibility and demonstrations of the Ace by DAISY software and the SMART tool will be taking center stage.

See our events page for details on how to register and find out more

Digital Publishing Summit Europe 2019

June 25th to 26th, 2019

The DPUB Summit Europe 2019 encourages participants to exchange thoughts and views on technical and business innovations in the publishing industry. Talks, panels, and lots of demos. At this 2 day event, EDRLab aims to strengthen a true spirit of cooperation between professionals via talks, panels and lots of demos. It aims to encourage massive adoption of open standards and software by the European publishing industry.  Avneesh Singh, DAISY CTO, and Romain Deltour, Ace by DAISY developer, will both be speaking at DPUB alongside an exciting line up of international speakers.


June 25-26, 2019


Paris, France

Learn More

Full details on how to register are available at the EDRLab website. Early bird pricing is available until April 30, 2019

Notes from Berlin: DPUB Summit Highlights

Ken Jones, author of this article, displays his conference pass, program and conference information
 This is a guest post by Ken Jones – Ken specialises in writing workflow applications and offering training and consultancy for publishers on print and digital workflows. Ken’s company Circular Software’ provides software tools and services for a range of illustrated book publishers. Contact Ken on twitter @CircularKen on LinkedIn at linkedin.com/kenjones  or through the website circularsoftware.com.

This article has been kindly edited by Laura Brady and has been cross-posted on epubsecrets.com

The Digital Publishing Summit was held in Berlin on Weds 16th and Thurs 17th May. It was a wide-ranging and stimulating event full of interesting news about the digital publishing landscape.

The area of central Berlin we were in had a pleasant bohemian vibe. After my vegan panini and smoothie, I strolled to the event hotel as hordes of cyclists whizzed by along the sunny streets. Oh, wait, this is not a holiday review, allow me to continue… #not-eprdctn

This previous name for this yearly gathering used to be the ‘EPUB summit’ but this year it has been renamed the Digital Publishing Summit or ‘DPUB summit’ as it relates to digital publishing beyond EPUB. Before the main conference started around 40 of us started off the Wednesday morning with an extra Readium workshop led by Laurent Le Meur, CTO, EDRLab (@lmrlaurent). Laurent started but outlining some of the challenges with Readium 1 — notably performance, accessibility gaps and lack of Windows and Linux SDKs. They decided to  to start R2 with fresh codebase and to create new mobile & desktop SDK named Readium-2 (aka R2).

The overall aim of the project is to deploy a set of open and interoperable digital publishing technologies in Europe, around an open, flexible & accessible standard applicable to all kinds of digital publications

Laurent Le Meur presenting at DPUB Summit

R2 is being optimised for performance, ease of maintenance, and is well documented with consistency between target environments (so different OS, mobile, desktop). It is a live ongoing project with releases approx. every two weeks. Everything they are doing is on Github. Readium 2 apps are emerging already and an Alpha desktop version in publicly available.

They have an ambitious roadmap for 2018. Expect progress to be made in roughly in the following order: import, library, reflowable EPUB, LCP (Readium Licensed Content Protection), user settings, RTL, fixed-layout, CBZ (comic books and manga), OPDS (Open Publication Distribution System), bookmarks, vertical text, themes, footnotes, accessibility navigation, search, support for WP, audiobooks, TTS, media overlays, more dyslexia support.

Laurent Le Meur presenting the EDRLab Roadmap for 2018


EDRLab are seeking a wider community for development, feedback, and financial support.

Phew! Got all that? I’ll explain in more detail about some of this below. The roadmap is available on GithubEDRLab are seeking a wider community for development, feedback and financial support. They need constructive testing (so don’t just moan about how it may look wonky or has missing features, they already know this!…) and, again, everything is open and logged on Github.

Hadrien Gardeur of Feedbooks then spoke about the Readium Web Publication Manifest. Think of it as an unpackaged and deconstructed ebook that exists in RAM. By abstracting the contents it means R2 reading apps can be much more responsive. By loading the publication into memory and preparing for transmission over the web. And it doesn’t have to be EPUB, any structured publication could be deconstructed. They already support CBZ (a format for comic books as images) and are in a good place to handle any new W3C formats that come in the future.

R2 ingests packaged EPUBs in this way ready to them streamed, parsed, and fetched as HTML resources. They refer to the flow of rendered content to the reader app as the ‘streamer’. Think of the R2 reading system in 2 parts: frontend and backend. The frontend reader is fed by the backend, which could be either within an offline app or streamed from a server. By pre-fetching and pre-rendering content in backend memory everything is presented super fast.

Readium CSS is the open resource that Readium apps are using to present content and to handle user settings. Glue JS is a new project being built for R2 which makes sense of pagination, scrolling, touch and key events and CSS, locations, and custom properties.

Aferdita Muriqi of EDRLab (@AferditaMuriqi) talked about where they are with Readium mobile apps and their future plans.

Aferdita Muriqi of EDRLab (@AferditaMuriqi) talked about where they are with Readium mobile apps and their future plans. The R2 iOS app is out now and it is still being developed with later builds regularly and betas here. The R2 Android app is also available now (in beta) from Googleand Github. R2 iOS and Android are being developed in tandem and share the same functionality and core code. But the different OS mean they have to handle things differently.

It’s important to understand that the EDRLab stance on mobile apps is that they will only ever be ‘test apps.’ They have no plans to produce a fully featured mobile reader instead will provide an open source example to others of what is possible and exactly how to do it.

The ultimate goal is a robust attractive reading system and to become an open replacement.

Daniel Weck of EDRLab (@DanielWeck) talked about Readium desktop apps and their future plans. Unlike the mobile apps the plan for desktop IS NOT to be just a test app. The ultimate goal is a robust attractive reading system and to become an open replacement. R2 desktop apps are already very impressive but are still in early stages. Latest builds available here.

Video demo of Readium desktop app

R2 apps (desktop and mobile) already come with support for OPDS (Open Publication Distribution System) basically a way for a metadata feed from a vast library of books to stream and also can point to book content. Sideloading is also possible. R2 Desktop has a load button for local files and mobile apps can load from weblinks or Dropbox etc. via the OS. If you interested in the future of EPUB readers, or the current lack of them, consider join me and others in testing and giving feedback to shape these valuable and open source mobile and desktop apps.

If you interested in the future of EPUB readers, or the current lack of them, consider join me and others in testing and giving feedback to shape these valuable and open source mobile and desktop apps

We then moved on to an interesting chat about EPUB Canonical Fragment Identifiers. In short, EPUB CFI is an accurate way to point to any content within EPUBs. Lars Wallin of @ColibrioReader demonstrated how to use EPUB CFI to achieve interoperable, sharable, annotations, bookmarks etc. EPUB CFI also support identification of interactive elements, images and even parts of images within EPUB. Yuri Khramov of @EvidentPoint then spoke how they are contributing to ‘Readium NG’ to support existing R1 users in their migration to R2 with as little pain as possible

Later, in the main DPUB conference, we heard more on how Readium Licensed Content Protection aka Readium LCP can store a user’s passphrase inside an EPUB reader to effortlessly unlock content. Hermann Eckel of German ebook company Tolino explained how Readium LCP is already installed in their hardware and how it is now their preferred copy protected solution.

Later we saw a live demo of a reader entering accessing an ebook using the standard library log-in.
Slide displaying details of the readium 2 LCP project

Eden Livres talked about how they invested last year to integrate LCP server side and now have over 80,000 titles now live with Readium LCP.

De Marque talked about how National Libraries Quebec achieve 6M+ ebook loans – quite a lot for a small city. Previous DRM systems had cost them over $800K CAD over the years and with countless hours of support and left them feeling powerless and not in control. LCP was a community project to take that control back. They are currently focus testing LCP with user in Quebec City, to be released this summer for all public libraries in Quebec province and other partners.

“DRM should be boring. It should be invisible and nothing to the user.”

A refreshingly neat quote that summed it up was “DRM should be boring. It should be invisible and nothing to the user.” #eprdctn

Garth Conboy of Google spoke about EPUB3.2 and future plans for EPUB at W3C and invited participation in the community group.

Slide displaying details of how the edge browser supports EPUB

Ben Walters of Microsoft (@_BenWalters_) gave a great presentation on how their Edge browser natively supports EPUB. Double click any DRM free reflowable or Fixed Layout EPUB on Windows 10 and it auto opens in this well featured reader. He said that reading books on a desktop or laptop may not be common but actually for reference or education the ability to have multiple pages of the same book, of different books, or other web content side by side can be very useful. One challenge for browser based reading is that people don’t expect a browser to work offline, even though they can for cached and local content. The challenge here is in education.

Microsoft Edge for iOS and Android edge on phone coming ‘very soon’. First releases were last year but last month’s update brings improvements including notes, better navigation, page sharing and media overlays! This is great stuff from Microsoft!… You hear that @Adobe…

Ben confirmed to me afterwards that, at launch, sideloading will not be possible for Edge on Android and iOS. It will only feature content from the Microsoft store.

Ben also won the prize for the most amusing slide when introducing his agenda.

Amusing agenda slide from Ben Dugas

Stephan Knecht from Bones AG demoed how their audio reader accepts EPUB by parsing a book into txt files. Able to handle cues like SSML, to indicate preferred speech speed, male, female voices for example. More here.

Stephan made an interesting point that his customers (often visually impaired, elderly, veterans) like the static simplicity of dedicated hardware. Rather than making a phone app, his credit card sized audio player has a run time 40 hrs with standby of months.

Word files are a ‘post paper digital artifact’

I really enjoyed the talk from Adam Hyde of Coko Foundation. He explained in a friendly rant how 90% of scholarly content is supplied as Word files and not truly digital. His phrase was Word files are a ‘post paper digital artifact.’ But not just there to complain, Adam had three solutions that all looked worth finding out more about:

  1. Getting content from word into HTML – XSweet.coko.foundation was released two weeks ago.
  2. How to edit content in HTML including citations, notes, tracked changes etc. (that is, the pro tools that are missing from Google Docs) — An open source HTML word processor.
  3. How to get digital content it out into legacy formats like PDF —Automation and using the browser as a typesetting engine: pagedmedia.org

Other highlights included @gleephapp a phone app that features a real-time barcode scanner of ISBNs and even book spines to make the link from physical to digital and then allows recommendations. This app has just launched in France with 33,500 users and 20,0000 titles.

Volker Oppmann of mojoreads (@onkelvolker) showed their neat book sharing platform which actually pays its users 10% commission for any sale that comes from their recommendation. #eprdctn

We also heard that Readium has further goals including an update to the Readium CloudReader with support for audiobooks.

I’m very glad I made the trip and I hope to attend again next year but I must conclude by saying this: it amazes me that Adobe is not attending, supporting, contributing development effort and funding to EDRLab. Privately they would have so much to gain themselves from this modern open source reading system And publicly, surely Adobe putting a couple of full time developers in EDRLab Paris for a year or two would both demonstrate and garner respect and support of their paying customers and the wider publishing community.

I’ll be talking more about Readium and demoing R2 during my PePcon session in a couple of weeks time if you’re attending CreativeProWeek and into EPUB and ebook development.

Also feel free to contact me directly if you’d like more info and I’ll help where I can.

Postscript. Typescript (@typescriptlang) seems to be a the current programming language of choice. Microsoft, EDRLab, and many of the smaller developers presenting at DPUB were all using it and speaking highly of it. http://www.typescriptlang.org

Digital Publishing Summit Program Announced!

Logo for EDRLab the organizers of this conferenceEDRLab has announced the program for their annual Digital Publishing Summit (DPUB) which will take place in Berlin May 16-17, 2018. As ever the program is an exciting mix of tech presentations and high level sessions from the production of natively accessible ebooks to the spread of highly interoperable EPUB 3 reading applications on all platforms, with Readium LCP.  Delegates can expect plenty of practical demo sessions as EDRLab encourages adoption of open standards and software by the European publishing industry.

The program is of huge interest to accessible publishing, in particular the session on EPUB 3 as an accessible and mainstream format. Early bird pricing is available until February 28 and full information is online at the EDRLab website.

Digital Publishing Summit, Berlin

May 16th to 17th, 2018

Logo for EDRLab the organizers of this conferenceFollowing the two highly successful EPUB Summits in Bordeaux (2016) and Brussels (2017), EDRLab have announced that the Digital Publishing Summit Europe will be held in Berlin on the 16th and 17th of May, 2018.

During this day and half, there will be presentations (from W3C and EDRLab members) and demos of technical and business innovations in the publishing industry, from the production of natively accessible ebooks to the spread of highly interoperable EPUB 3 reading applications on all platforms, with Readium LCP inside. Insights into the German publishing industry, the wide digitization of the whole sector, the evolutions of the Tolino platform and the innovations in German startups will also be a focus.

EDRLab aims to strengthen a true spirit of cooperation between professionals and encourages the adoption of open standards and software by the European publishing industry.


May 16-17, 2018


Berlin, Germany

Learn More

For further information inclusing details of early bird pricing visit:  https://www.edrlab.org/dpub-summit-2018/

EDRLab Webinar – Accessibility and EPUB 3: November 28th, 2017

November 28th, 2017

Since November 2016 EDRLab has gradually invested in the field of accessibility: production, certification, distribution and uses, all essential topics for a natively accessible ecosystem is emerging in France and elsewhere around the EPUB 3 format. Fernando Pinto da Silva (EDRLab) will be hosting a webinar dedicated to accessibility on the 28th of November. For further information visit the EDRLab website at https://www.edrlab.org/2017/10/20/webinaire-accessibilite-et-epub-3/.

NB: this webinar will be in French

Venue: – Online or via telephone

Date: 28th November, 2017

Time – 15.00 – 16.00 CEST

Emerging Digital Solutions at the 11th French National Dyslexia Day

Logo of the Federation francaise desDys, The French Federation of Dyslexia Associations.This article was written for Inclusive Publishing by Luc Maumet, a consultant in accessible reading for print impaired persons. He was in charge for 15 years of the main library for the blind in France. He focuses today on digital solutions and born accessible content for all print impaired persons. For EDRLab Luc explores the impact the EPUB ecosystem may have on dyslexic person’s access to reading.

October was Dyslexia awareness month and many events were organized to spread information on the subject and to promote solutions and good practices. The French Federation of Dyslexia Associations, FFDYS, chose October the 14th to welcome professionals, parents, publishers and dyslexic persons for it’s annual “Dyslexia Day”. Taking place in the renowned University of Paris 8 Vincennes-Saint-Denis, the event attracted a large crowd of visitors.

The program was a mix of conference and technical presentation opening with a welcome video from the French Minister in charge of disabled persons, Sophie Cluzel, – a mark of the French government’s interest in and commitment to this issue .

I attended the event of behalf of EDRLab in order to gather more information on the impact of the EPUB ecosystem on reading accessibility for dyslexic people. EDRLab has begun to map the digital solutions already available in the market place including both reading apps and adapted ebooks.

EDRLab goals, by mapping the diversity of these existing solutions, are :

  • to lead to a better understanding of the actors, and their work in this specific field, in relation with EPUB.
  • to address their needs by a standardisation of EPUB enhancements for dyslexic people.
  • to develop reading solutions supporting these enhancements.
  • potentially, to help with the development of back-office tools for producing such enhanced content .

The FFDYS event was one of those days when you wish you could clone yourself in order to speak to more people and attend more workshops at the same time! Among the diversity of solutions presented, some were of particular interest from an inclusive publishing perspective :

L’arbradys, the recently created publishing house for dys children, is publishing a weekly newspaper. The text is specifically produced in-house with two different versions : one for children and one for teenagers. Two different accessibility settings  are available : one for dyslexia, one for dyspraxia. These newspapers are available on paper and in EPUB. The most recent editions  dealt with subjects such as “Wild life”, “Street art” or “The Olympic games in Paris 2024”.

Castlemore, a French children’s publisher, is producing some of its titles with specific settings for dyslexic kids which include features such as:

  • Specific quality of paper
  • Dyslexia font
  • Larger font
  • Shorter phrases
  • Work on line breaks etc…

All Castlemore books are also available in EPUB without DRM, allowing many other possibilities for dyslexic kids.  Bragelonne, Castlemore’s mother house, is an EDRLab member.

Readspeaker textaid “helps teachers and institutions face accessibility challenges with it’s read-aloud reading, writing, and studying tool, helping those with learning disabilities become confident, autonomous learners.” The reader has  specific functions to ease access to text for dyslexic people including :

  • Text to speech
  • Line spacing
  • Page masking tool to help focus  the attention
  • Reading ruler for reading line by line

Readspeaker Textaid can handle EPUB.

Livres-Accès is a website that gathers  information on accessible books for dyslexic or otherwise print disabled children. It’s catalog contains printed books as well as ebooks, and several of them are distributed in EPUB. Livres-Accès was a bookstore but it is now evolving toward consulting and training activities.

ADELE Team is a university software project with the ambition of creating new solutions in the digital reading field for dyslexic people. The University Paris 8 Vincennes-Saint-Denis researchers work in coordination with the French dyslexia expert Laëtitia Branciard. Dyslexic children have been assisting with the project by supplying their own writings in order to test the system.

Disney Company : in the collection “Les mots sont à toi”, Disney presents ebooks in EPUB with specific functions for dyslexic readers. These include:

  • Choice of fonts and their size
  • Space between letters
  • Colorization of syllables 
  • Alternating lines

What makes this collection so special is the availability of famous licences such as Star Wars or Cars in EPUB.

These are just a few examples of the vitality of the digital publishing ecosystem for dyslexic persons, as seen at the 11th French National Dyslexia Day organized by FFDYS. We are seeing very specialized solutions converging with mainstream tools and contents. EPUB as an ecosystem with EPUB documents (born accessible or with specific enhancements) and EPUB readers can play a historic role in easing access to reading for dyslexic persons.

EDRLab’s mapping of EPUB solutions for dyslexia is at an early stage : the French solutions are on the map (or at least a large majority of them). and wee now need  feedback from other European countries. If you happen to know a publisher with specific involvement in this field or if you yourself are promoting a reader for it’s qualities for dyslexic users, please contact us and we will add them to the EPUB and dyslexia map. In this era of such active innovations we strongly believe information exchange is key to our goal : “ to make publications accessible to all, including people with print disabilities.”

For more information on this topic please see Luc’s article entitled Accessibility in reading systems: what about dyslexia? published on the EDRLab website in June 2017.

November 2017: Digital Book Conference, Paris

The French Publishers Association, Synidcat National de l’Edition, is holding its annual digital publishing event dedicated to the strategic development of the publishing sector in the digital age. Of particular interest is the session delivered by EDRLab and industry colleagues on EPUB 3 for an Excellent Reading Experience. For registration and program information visit http://www.sne.fr/evenement_sne/assises-du-23-novembre-2017/

Date: November 23rd, 2017

Venue: Amphithéâtre Novotel Tour Eiffel, 61 quai de Grenelle 75015 Paris

When: 9.30am